作品展示

「布鲁斯伯里与形式主义」追溯源自康德美学的形式概念如何在罗杰•傅莱与柯莱夫•贝尔的理论中重新演绎。

Bloomsbury and Formalism discusses the Bloomsbury's concept of “form” as elaborated in the aesthetic theory of Clive Bell and Roger Fry by tracing back to Immanuel Kant's theory of the aesthetic form..

「形式美学•吴尔芙与女性主义」藉由探讨傅莱的后印象主义、塞尚的再现观点与梅洛庞蒂和拉岗对视觉与意象的拆解，来勾勒本论文理论架构。

Formalist Aesthetics, Woolf and Feminism attempts to build up a theoretical framework through exploring Fry's postimpressionism, Merleau-Ponty and Lacan's discussion of Cezanne's painting and their dynamic meaning of the seeing.

「吴尔芙的小说与美学」剖析吴尔芙的小说《乔布的房间》与《灯塔行》的美学体现。形式美学理论在此主要印证在《乔布的房间》中对情节铺陈结构的拆解，与《灯塔行》中最后意象的浮现。

Woolf's Fiction and Aesthetics analyzes Woolf's Jacob's Room and To the Lighthouse in terms of aesthetic elements, “form,” “reality,” and “vision”. The fragmentation of plot in Jacob's Room and the unveiling of the “vision” in To the Lighthouse are read alongside the aesthetic theory discussed above.